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Chapter12
The director guides
the highlights of the guesthouse for visitors who plan to
come this spring.
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Naoyoshi
Shibata,
Director of YODOKO Guest House
In March 1998, when the repair work after the Great Hanshin-Awaji Earthquake was completed, I was appointed director of YODOKO Guest House. Since then, with all our staff, I have been expanding my understanding of YODOKO Guest House and Wright, and feel an unlimited attachment to them. It is my pleasure to explain the highlights of the guesthouse to visitors in ways easy to understand, making "Kindness is the best policy" my motto.
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| Event information and brief history of the guesthouse |
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YODOKO Guest House starts the exhibition of the Girls' Festival Dolls on Saturday, February 16. On the occasion of this exhibition, I would like to introduce points of special interest that you should see when visiting us. However, let me first explain the brief history of this guesthouse. YODOKO Guest House was constructed on a small hill near the Ashiya River in Hyogo Prefecture, as a second house of the Yamamura family, a sake brewer in Nada (Kobe) in 1923-1924. The residence was purchased by Yodogawa Steel Works in 1947. In 1974, the house was designated as a National Important Cultural Asset, in order to leave this valuable Wright architecture for posterity. Presently, the road in front of the guesthouse is called "Wright Slope" and is beloved by all as a symbol of the area. |
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| See the features of the porch at the entrance with your heart |
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| Salon on the second floor that indicates the interior philosophy |
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Now let me guide you into the house. When you come through the entrance and go up the stairs to the second floor, you will find a salon. Here, enjoy the magnificent views surrounded by the large windows at both the western and eastern sides. Right under these windows, built-in couches are installed. These couches show the hospitality of the designer for the guests, the hope that everyone enjoy the views in a relaxed manner. By the way, this room is furnished with a lot of display shelves and cabinets. Not only these spaces, but many places around the house display a flower vase, etc. Don't you think you hear the voice of Wright, hoping that the residents produce the enjoyment of life and lead a happy life.
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| Window and couch in the salon |
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Display shelves and cabinets in the salon |
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| Look at the natural lighting in front of the Japanese-style rooms on the third floor |
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Now, let's go to the third floor, where the Girls' Festival Dolls are exhibited. While going to the three Japanese-style connecting rooms, be sure to look at the hallway. If the weather permits, you will see the decorative plates on the windows have open work, producing the effect of the sunlight streaming down through the leaves of a tree. Also, at the side of a Japanese-style room, there is a four and a half tatami mat space. This space used be used as conversation room, and now, it is used as resting room for visitors. Now, you are on the third floor, but I am sure you won't feel that you are away from the ground as much. This was because of the structure of this building. The floors of this house are horizontally arranged in a staircase pattern along with the slope, all wings are only one or two stories high. Feel the design of the Wright, who aimed to integrate the landscape and building.
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| Western side hallway, representation of the sunlight streaming down through the tree leaves |
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| Doorway to the Japanese-style room on the third floor |
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| Three Japanese-style connecting rooms |
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| Three Japanese-style connecting rooms |
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| Space surrounding the dining room on the fourth floor is so Western |
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| We are waiting for your visit! |
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How was the tour? Were you able to see the highlights of YODOKO Guest House? Now, everyone, please come to this guesthouse and enjoy the building as well as the Girls' Festival Dolls. We are looking forward to seeing you soon!
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Unexpected fact that was hidden in Wright's unique decoration
One of the most frequently asked questions by guests
of the YODOKO Guest House is what the stone used for
the interior and exterior works is. The stone is called
Oyaishi*, which is said
to characterize Wright's architecture in Japan. Since
this stone is soft and easy to process, it was essential
to the carving of Wright's original decorative patterns.
In addition, a representative decoration that is a match
for Oyaishi stone, is the "decorative copper plates,"
used in many doors and windows. The motif used for the
patterns on these plates is natural plants that grow
in the surrounding area. When you look closely at these
patterns, the variety of patterns are made and arranged
to be geometric, using simple rectangles and triangles.
Wright is truly a magician of formative arts, isn't
he?
* Oyaishi stone is quarried around Oya-machi, Utsunomiya City, Tochigi Prefecture. This is also used in the old Imperial Hotel, a renowned work by Wright. |
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| *This article
was written by Yodogawa Steel Works, Public Relations Department
under the supervision of Mr. Fumitaka Hirata of the Building
Research Institute Foundation, which administrates the restoration
and preservation of YODOKO Guest House. |
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